The Hipstamatic Blog

In collaboration with our friends at Audyssey and French Press Films, we filmed a great live session with Austin-based trio Ume. The band stopped by the Haus of Hipstamatic and chatted before performing this badass version of “Gleam.”

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Check out Beyoncé’s new Tumblr, which features some excellent Hipstamatic pics! Long live Queen B!

Check out Beyoncé’s new Tumblr, which features some excellent Hipstamatic pics! Long live Queen B!

(Source: beyonce)

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This post is part of our Snap Highlight

Snap is a free monthly digital publication from Hipstamatic on the iPad. Snap showcases the driving forces behind global creative culture, and explores provocative new ways to interpret the beauty around us.

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  • Fire dancers at Bandpage HQ
    Fire dancers at Bandpage HQ
  • The wonderful Nic Adler!
    The wonderful Nic Adler!

Part 2 of our Best of SXSW—featuring Conveyor, Miracles of Modern Science, Kevin Barnes (lead singer of Of Montreal), Absinthe & the Dirty Floors, Bandpage Headquarters, and Nic Adler (of our fab new Groupie SnapPak!).

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This post is part of our Snap Highlight

Snap is a free monthly digtial publication from Hipstmatic on the iPad. Snap showcases the driving forces behind global creative culture, and explores provocative new ways to interpret the beauty around us.

Download Snap Mag
  • Chairlift at the Parish
    Chairlift at the Parish
  • Daughter at Red Eyed Fly
    Daughter at Red Eyed Fly
  • Geographer at a private showcase
    Geographer at a private showcase
  • Kimbra at the MTVU Woodie Awards
    Kimbra at the MTVU Woodie Awards
  • Massive Doritos vending machine.
    Massive Doritos vending machine.
  • A$AP Rocky at the MTVU Woodie Awards
    A$AP Rocky at the MTVU Woodie Awards
  • Haim at Red Eyed Fly
    Haim at Red Eyed Fly
  • We're in Texas, y'all.
    We're in Texas, y'all.
  • Street art = love.
    Street art = love.

We’re still in a post-SXSW daze. Especially in Austin, a picture really does speak a thousand words—there’s no better way to capture the magic (and the crazy). Peep this first round of our ‘Best Of’ photos, or see the whole shebang on Facebook.

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This post is part of our Snap Highlight

Snap is a free monthly digtial publication from Hipstmatic on the iPad. Snap showcases the driving forces behind global creative culture, and explores provocative new ways to interpret the beauty around us.

Download Snap Mag
  • 1st place, @superagentfred
    1st place, @superagentfred
  • 2nd place, @kmrartist
    2nd place, @kmrartist
  • 3rd place, @joseelretardo
    3rd place, @joseelretardo

And the winners are…


These are some of the gorgeous entries in our #HipstaWall Pink Floyd contest. Thank you to everyone who entered, and congratulations to @superagentfred, @kmrartist, and @joseelretardo for their lovely winning shots!

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This post is part of our Snap Highlight

Snap is a free monthly digtial publication from Hipstmatic on the iPad. Snap showcases the driving forces behind global creative culture, and explores provocative new ways to interpret the beauty around us.

Download Snap Mag

Interview: Tanlines

We caught up with Eric and Jesse of Tanlines in between SXSW shows. The New York duo was gearing up for the release of debut album Mixed Emotions (out today!), and sat down to discuss their journey, creative process, and making music that matters.

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You guys have a history of putting out great material, but Mixed Emotions is your first album. Talk about that journey, and how it’s been growing and collaborating.

Jesse: It’s like any relationship you have with another person. You get to know someone extremely well, and we have a common foundation of ideas—things we like that we agree on, and we have things we disagree on. It’s a creative partnership. We did a lot of songs for a couple years—remixes, songs on the Internet, et cetera, so we were like, we’re done with that, we’re going to sit down and write this album.

We took our time, we took over a year to do it. We learned an enormous amount about music, and ourselves, and we knew a lot already. I think this is the second phase of what we’re doing. We didn’t want to just release songs on the Internet anymore, we wanted to make a statement, and that’s what I think the album is. It’s like a next step from what we were doing before. I’m incredibly proud of it, and what else could I ask for? (Except for everyone to like it, and for it to change everyone’s lives. Just a small thing like that. But that’s out of my hands, so…)

What influences did you have when you were coming up with the album?

Jesse: This is extremely cliché, but we just wanted to focus on writing songs. The first period of our career was experimenting with sounds and releasing tracks, and we sort of developed a palette of sounds. Now for this we just drew from that palette, and we just wanted to write songs that might mean something to people. The best thing we did in the first two years was writing “Real Life”—that was the first song we wrote that we played for people and they knew the words, or they would ask for it. And I think a lot of people have that experience, where they see that, and they’re like, ‘oh—that’s the thing. That’s the thing that you want.’

So we were just like, all right. We just want to write songs. We wrote a lot of songs that didn’t make it onto the album, and the ones we kept going back to are the ones that are on the album.

What do you think of the Internet and music discovery today? How do you think of it as a tool?

Jesse: I mean, it’s great, obviously. The first thing we ever did as a band was a thing on the Internet. That’s how a lot of people work now, and if we hadn’t done that, we wouldn’t have gone anywhere else. We did that for a while, then we stopped and wrote this album, and now we’re trying to do something past the Internet. I think that the Internet is like: check out this song, done; next song, done; next song, done. There’s still a place for music that sticks with you, you know? If you think about your favorite songs, you’ve been listening to those for twenty years, maybe, and you still listen to it. Your favorite movie you’ve maybe seen three, four, five, ten times. But I can’t make that happen—I’m not saying it’s going to happen, but that’s a thing that exists outside of the Internet. The Internet can be a launching pad for that, and that’s what I’m hoping happens with [Mixed Emotions].

At Hipstamatic, we’re all about telling stories through moments, and through photos. How do you think SXSW fits into your story, if it does? Do you think this is capturing a moment for you?

Jesse: What I think about a lot here is that the people I want to play for are the kids who live in Kansas. Bands don’t stop on their tour, and they’re on the internet listening to music all the time. They get to see Grimes four times, and Tanlines, or whoever it is—it must be paradise for them. And that’s what [SXSW] is good for, because we’ve never been to Kansas, and maybe we will soon, I’m not sure; there are places that are harder to get to. That’s what I try to stay focused on here.

How would you sum up where you are as a band at this moment?

Jesse: I don’t know. I feel like we’re a million miles away from where we started from, and that’s important to feel. Other than that…like I said, we worked extremely hard.

Eric: one word: excited.

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We stopped by the Creators Project this past weekend in San Francisco and saw great art, music, and technology. Performances by the Antlers, Yeah Yeah Yeahs, Zola Jesus, and more happened alongside innovative installations and beautiful SF scenery. Welcome to the Bay, CP! You’re right at home. 

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This post is part of our Snap Highlight

Snap is a free monthly digtial publication from Hipstmatic on the iPad. Snap showcases the driving forces behind global creative culture, and explores provocative new ways to interpret the beauty around us.

Download Snap Mag

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